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Très jolie!
Share your visit with us at
#JolieTeaCompany #JolieHighTea
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In Store Retail!
Discover what is new at Jolie. An ever changing curated selection of items perfect for gifting!
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In Store Retail!
Discover what is new at Jolie. An ever changing curated selection of items perfect for gifting!
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COMME C’EST AMUSANT!
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Vogue Iced Teas


Vogue Tea is designed to satisfy the craving for a special and social beverage that's also healthful.


Choose from six artfully crafted blends inspired by classic cocktails: Manhattan, Bellini, Green Fairy, La Belle Epoque, and Bogart.


Fine loose leaf teas, herbs, flowers, and flavors combine to offer unique teas to lift your spirits and keep your beverage options interesting.


Vogue Tea, because tea is chic.
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Join us for High Tea at our new 316 Derby Street location in Salem.


We are offering High Tea each day with or without a reservation.


Our banquet seating allows parties of up to 18 guests.


A special, private High Tea may be booked in our Salon Room for up to 6 people.


$32 per person


Making Your High Tea Reservation...
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Tea Flights at Jolie Tea Company!
Enjoy and explore the world of tea at Jolie!


Choose up to three different teas.
Select a featured flight from our Tea Flight Menu below or choose any
three teas from the over 300 teas in-house.


We will prepare each tea according to its specific brew temperature and time. This is the perfect way to experience several teas at once when only one will not do!
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Join us for High Tea at our new 316 Derby Street location in Salem.


We are offering High Tea each day with or without a reservation.


Our banquet seating allows parties of up to 18 guests.


A special, private High Tea may be booked in our Salon Room for up to 6 people.


$32 per person


Making Your High Tea Reservation...
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La Petite Tea at Jolie Tea Company is available at all times and does not require a reservation. This is the perfect way to enjoy a special tea time. Your Le Petite Tea includes our lemon scone, choice of French macaron, and choice of madeleine.
$8


Complete your La Petite Tea with the addition of a cup or pot of tea. Chose from our collection of over 300 teas.


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Happy Birthday, Jolie!
11 years on March 17, 2022!
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Happy Birthday, Jolie!
11 years on March 17, 2022!
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Join us for High Tea at our new 316 Derby Street location in Salem.


We are offering High Tea each day with or without a reservation.


Our banquet seating allows parties of up to 18 guests.


A special, private High Tea may be booked in our Salon Room for up to 6 people.


$32 per person


Making Your High Tea Reservation...
HTMLText_47562A1E_500C_5FE1_41D1_1D80825BC34C_mobile.html =
La Petite Tea at Jolie Tea Company is available at all times and does not require a reservation. This is the perfect way to enjoy a special tea time. Your Le Petite Tea includes our lemon scone, choice of French macaron, and choice of madeleine.
$8


Complete your La Petite Tea with the addition of a cup or pot of tea. Chose from our collection of over 300 teas.


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Join us for High Tea at our new 316 Derby Street location in Salem.


We are offering High Tea each day with or without a reservation.


Our banquet seating allows parties of up to 18 guests.


A special, private High Tea may be booked in our Salon Room for up to 6 people.


$32 per person


Making Your High Tea Reservation...
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Please email us ​for more information or to sign up for the discussion.
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Attention all book lovers!


Jolie Tea Company is launching our own book club. Jolie Book Club will meet monthly at our 316 Derby Street location. Tea and sweets will be served along with a joyful and thoughtful discussion of the Book Club's monthly selection.


Wednesday, May 18th Once There Were Wolves, by Charlotte McConaghy
Wednesday, June 15th Thousand Cranes, by Yasunari Kawabata
Wednesday, July 20th Lost Apothecary, by Sarah Penner
Wednesday, September 14th The Language of Flowers, by Vanessa Diffenbaugh


We will meet at Jolie Tea Company 316 Derby Street.


Please email us at tea@jolieteaco.com for more information
or to sign up for the discussion.
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Attention all book lovers!


Jolie Tea Company is launching our own book club. Jolie Book Club will meet monthly at our 316 Derby Street location. Tea and sweets will be served along with a joyful and thoughtful discussion of the Book Club's monthly selection.


Wednesday, May 18th Once There Were Wolves, by Charlotte McConaghy
Wednesday, June 15th Thousand Cranes, by Yasunari Kawabata
Wednesday, July 20th Lost Apothecary, by Sarah Penner
Wednesday, September 14th The Language of Flowers, by Vanessa Diffenbaugh


We will meet at Jolie Tea Company 316 Derby Street.


Please email us at tea@jolieteaco.com for more information
or to sign up for the discussion.
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Vogue Iced Teas


Vogue Tea is designed to satisfy the craving for a special and social beverage that's also healthful.


Choose from six artfully crafted blends inspired by classic cocktails: Manhattan, Bellini, Green Fairy, La Belle Epoque, and Bogart.


Fine loose leaf teas, herbs, flowers, and flavors combine to offer unique teas to lift your spirits and keep your beverage options interesting.


Vogue Tea, because tea is chic.
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Tea Flights at Jolie Tea Company!
Enjoy and explore the world of tea at Jolie!


Choose up to three different teas.
Select a featured flight from our Tea Flight Menu below or choose any
three teas from the over 300 teas in-house.


We will prepare each tea according to its specific brew temperature and time. This is the perfect way to experience several teas at once when only one will not do!
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Please email us ​for more information or to sign up for the discussion.
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Join us for Lunch at our 316 Derby Street location in Salem.
We are offering Lunch each day with or without a reservation.
Our banquette seating allows parties of up to 18 guests.
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On Wednesday, January 18th 2023 we excitedly began our lunch service!
Reservations may be made online.
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New! Jolie Lunch
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Join us for Lunch at our 316 Derby Street location in Salem.
We are offering Lunch each day with or without a reservation.
Our banquette seating allows parties of up to 18 guests.
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On Wednesday, January 18th 2023 we excitedly began our lunch service!
Reservations may be made online.
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New! Jolie Lunch
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Très jolie!
Share your visit with us at
#JolieTeaCompany #JolieHighTea
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COMME C’EST AMUSANT!
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Burning Beauty
Artist: Alyssa Cantwell
alyssacantwell7@gmail.com
Westford, MA
alyssacantwell.com


Burning Beauty, 12” x 18”, oil on wood panel


Artist Statement:
I grew up on a quiet cul-de-sac in Westford, Massachusetts with plenty of space to run around outside. On windy days in the fall, I would grab a paper bag from my kitchen and venture out to my backyard. Gazing up at the endlessly tall trees at the edge of the yard, I would wait for the wind to pick up and send the brightly colored leaves cascading down around me. I would run back and forth to collect as many as I could from the air, placing them carefully into the bag. There was one rule in my game: never pluck a living leaf from a tree. I’ve always felt a strong connection with and respect for nature. I came to understand that not everyone treats the environment with respect as I watched big capitalist corporations dump harmful products into the air and water with no regard for the living things a
affected.


When I discovered oil painting, it gave me the same feeling of excitement that I felt on those cold autumn days, dashing from tree to tree collecting leaves. Around the same time, I was introduced to the work of Andy Goldsworthy. He creates art purely from natural materials, using the environment to his advantage without exploiting it. This approach of manipulating an environment to t the needs of the artwork, without harming that environment, speaks to the way in which I want to create my own art and the themes that come up in my work. My process is all about layers, detail, and time. I want to capture every detail of the beauty in the world around me, layered with the ever-worsening consequences of sea level rise, pollution, ocean acidification cation, global temperature rise, and deforestation.


In Our World, 2050 my vision is to capture how our world might look in the year 2050 if we as a society continue to deny and exacerbate climate change. I want to portray the tension between the natural beauty of our world and the environmental devastation it endures. In a materialistic world, we tend to live by the philosophy that everything can be replaced. My intent for this work is that it starts a conversation that challenges that mindset while raising awareness about the environmental changes ahead. Our world is a beautiful place full of wonder and inspiration, but unless we become more conscious of our impact on it, the truth is we stand to lose much more than we realize.
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Edisto Fog
Artist: Patricia Dunbar
patriciad610@aol.com
Salem, MA
Edisto Fog, 14 3/4” x 10 3/4”, watercolor


Artist Statement:


City/country, summer/winter, colorful/little color, all interest me. It’s the design, the light, and balance that help me choose what to paint. I paint outside on site, usually smaller pieces; I also paint inside using my own
photographs as subject matter. I love to travel and record images of travel in my paintings. These paintings are
a way of sharing some of my favorite locations with others.
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FALS Frenzy
Artist: Paula Borsetti
Beverly, MA
paulaborsetti.com, instagram.com/locuststreetstudios, facebook.com/10locuststreetstudios


FALS Frenzy, 24x36, Acrylic on Canvas


Artist Statement:
For as long as I can remember I have been creating, my hands busy at work. To create is like breathing. In and out, a part of you that you can harness to ground, to elevate, to soothe, to heal. And like breathing, to not do it is not an option. You take it with you no matter where you go. To work, to play, to sleep, to every aspect of your life. Shape it and form it to suit your needs, to challenge, to learn. Share it with others, or keep it close, quiet, shallow, or loud and deep.


I go to the sunrise, to the same beach, in the town I have always lived in. Tides come in, then out, leaving behind a different trace. The same place, yet never the same. That is my act of painting. I come to the studio, put out paint, begin the process, start the ebb and flow. At the end of the day, the tide has receded and nothing is the same. Each mark, color and stroke is a new discovery.


Working with acrylic paint allows me to layer traces of what is becoming. Charcoal, graphite, crayon, stencils all lend themselves to the story. A mark, a response, a color, a response, a movement, a response, a sound, a response, a feeling, a response, a pain, a response, a smell, a response. Wild crazy marks, frenetic energy slashes followed by a slow mark tracing a path. I am the tortoise and the hare dancing together all at once.


I paint because it brings me joy and like breathing sustains my life. I paint to understand myself and the world around me. I paint to bring me closer to who I am and who I am meant to be.


FALS Frenzy is part of a series about my dear friend’s battle with ALS. I start with words he can no longer speak, then let the painting come to life through the process. A process of connection and healing, creating works that resonate with strength, hope, perseverance, awareness, support and life.
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Gloucester Cup Pride of Baltimore
Artist: dimetrious athas
dathas22@gmail.com
Beverly, MA
dathas-art.net


Gloucester Cup Pride of Baltimore


Artist Statement:
I have been fascinated with sailing, boats as well as antique cars for over 50 years. So I started painting them around 50 years ago and have won many awards nationally and locally. Have been represented and sold by several galleries on a national basis and
have sold many paintings. My intent is to bring the feel of the wind of the sails and the motion of the water for my marine paintings. My antique auto paintings show my love of that era. I am currently working on cosmic paintings as well.
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Hamilton House
Artist: Patricia Dunbar
patriciad610@aol.com
Salem, MA
Hamilton House, 14” x10” watercolor


Artist Statement:


As a life long designer, interested in typography, drawing, photography, and painting, I have been working in these areas for as long as I can remember. I have been employed for most of my life as a graphic designer (which encompasses all these interests), mostly for book publishers and have won awards for my work. On my own I have been painting, drawing, and doing extensive photography. I have paintings, prints, and photographs in private collections in California, Georgia, Iowa, Massachusetts, Texas, England, and New York.


City/country, summer/winter, colorful/little color, all interest me. It’s the design, the light, and balance that help me choose what to paint. I paint outside on site, usually smaller pieces; I also paint inside using my own photographs as subject matter. I love to travel and record images of travel in my paintings. These paintings are a way of sharing some of my favorite locations with others. Hamilton House is in Maine. I love the way the house is viewed through the Queen Ann’s Lace flowers and the wild field in front.
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Hold Onto My Hand
Artist: Patricia Scialo
patricia@patriciascialo.com
Salem, MA
patriciascialo.com


Hold Onto My Hand, 28”X20”, Cyanotype, Encaustic


Artist Statement:
The observation of light is the starting point of my photographic works. I am inspired by the way in which light cast on an object
creates shadows and depth, how it highlights, softens, or sometimes diffuses, creating an emotional response.


Taking on a mixed-media approach, I produce handmade unique prints that register experiments with the with the interaction of
material and subject, approaching an interweaving of the two.
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Idyllic
Artist: Glenn Engman
theontarget@earthlink.net
Swampscott, MA


Idyllic, Size: 30”x20”, Medium: Photography


Artist Statement:
I’m glad I have a hobby that pays because I was never able to hold a job for long. My passion for photography began when I first discovered a box of film processing equipment in the attic of our house at the age of 12. I took my father’s camera, hopped in my kayak and took pictures at the lake I paddled around on. Struggling to load my first roll of film onto the processing reel and follow the precise time and temperature protocol, I developed the roll of film in the laundry sink in our basement. Success!


From that time on I have pursued my photography interests; graduating from RIT with a bachelor of science degree in professional photography, starting a custom color photo lab in Boston with clients such as John Hancock Insurance, Sheraton World Headquarters, Museum of Science, Gillette, Rebok, WR Grace, etc. When digital imaging came around I jumped at the chance to become one of the first people to attend the Kodak Center for Creative Imaging in Camden, Maine. The course was a week long intensive use of Adobe Photoshop (2.0) and other imaging applications. It didn’t take long to realize that digital imaging was the future for photography.


Today I work exclusively in digital imaging, perfecting each perceived image in color, contrast, composition, etc. Oftentimes, the final result is almost unrecognizable from the original image. How far we have come from those days in the darkroom!
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In The Ground And The Air
Artist: Mike Fahey
Wakefield, MA
In The Ground And The Air, 25 X 24, Mixed Media on wood


Artist Statement:
My paintings have evolved over the years into wood relief constructions, melding together painting and sculpture. Mixing drawing, carved and layered wood, and other materials and objects as needed, I build up layers like a puzzle as I ponder over their meaning and how to interpret and integrate that meaning into the work.


My work explores dualities and how they relate to each other - flatness/depth, balance/disharmony, static/movement, representation/abstraction, joy/pain, isolation/integration. One needs the other to exist and these opposites combine to form a greater whole.


The current series I’m working on, called Visual Music, explores the relationship between music and visual art. Both utilize compositional elements such as rhythm, patterns, tempo, and harmony to build its structure, dynamics, dissonance, and “color” to set its mood, and “melody” to establish its main theme.


The guitar motif is my starting point. While working up drawings, I also peruse through favorite songs looking for a connection, bouncing back and forth between drawings and songs. A songs title or lyric, or a drawings mood or rhythm may spark an idea of what this piece should be about. Once I have a starting point, I will expand on this idea. The work will continue to grow, evolve, possibly change course throughout the process of creation. It seems like a foregone conclusion when the piece is done, but always amazes me when looking back on the twists and turns I took to get here. For me, the journey is “the thing”, and everything learned on the journey helps to build on and evolve the next work forward.
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Komono
Artist: Patricia Scialo
patricia@patriciascialo.com
Salem, MA
Komono, 11X14”, Encaustic Mixed Media Photography


Artist Statement:
My photographic works are created from an intuitive starting point transforming the subject through light Through the lens, I view the subject as an abstract form emphasizing line and shadow. In the printmaking process I continue to manipulate the image with various applications such as encaustic, graphite and photo oil, creating a mixed-media artwork.


When composing a photograph, I strive to create depth, giving the viewer the opportunity to look within, pause and contemplate the subtleties of what lies beneath.


Patricia Scialo has exhibited at numerous art centers on the east coast and internationally. Currently living on the North Shore, she teaches photography at various art centers. Her studio is located in the Lydia Pinkham building, Lynn.
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Many Moons Ago
Artist: Deb Goldberg
deb.goldberg@comcast.net
Amesbury, MA


“Many Moons Ago”, 17x17, Encaustic/ Mixed Media


Artist Statement:
This piece explores the symbolism of the moon with its connection to the changing tides, phases of life and
passage of time. As an artist I work in mixed media combining dyed fabric that I often create with encaustic,
a wax medium and pigment sticks. Working in layers with color, texture and patterns from nature are my
inspiration.
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Many Moons Ago
Artist: Deb Goldberg
deb.goldberg@comcast.net
Amesbury, MA


“Many Moons Ago”, 17x17, Encaustic/ Mixed Media


Artist Statement:
This piece explores the symbolism of the moon with its connection to the changing tides, phases of life and
passage of time. As an artist I work in mixed media combining dyed fabric that I often create with encaustic,
a wax medium and pigment sticks. Working in layers with color, texture and patterns from nature are my
inspiration.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Old Souls
Artist: Jennifer Toler
Beverly, MA
Old Souls, 24 x 36, Mixed Media-Collage


Artist Statement:
I work in Mixed Media with a focus on shifting the layers of my piece. After each layer is dry, I sand parts of it away, paint, collage or transfer another layer.
“Old Souls”, is memorial of our lost love ones and celebrates the part of them we miss the most.
The color pallet is, interestingly (and surprisingly), in stark contrast to my work of even a year ago.
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Peaceful Skies
colin@colinmcguirefineart.com
Marblehead, MA
colinmcguirefineart.com


Peaceful Skies, 9x12, Oil on Panel


Artist Statement:
Melissa is an Accomplished Colorful Intuitive Artist spreading the Joy of Creative Play with the World. She is inspired by her Love of Color, Texture & Travel and works out of her Studio at the Artists Muse in Amesbury, MA.


Truth was created during the 2020 Covid Pandemic with Lots of Layers, Paint & Texture. This piece was a Top #15 Winner of the 2021 George’s Duboeuf Wine Label Contest. A Collaboration with Birkenstock and Michael Grey Sandal Factory was also done with this Artwork.
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Serenity Artwork
Artist: Emily Murphy
Danvers, MA
Serenity, 18 x 24, Mixed Media


Artist Statement:
My name is Emily Murphy, I am an artist, illustrator and graphic designer that graduated from Marist College in NY. While I currently live on the North Shore of MA, I work with creating custom portraits using a variety of symbolism. These specific pieces are inspired by poetry, creating portraits and layouts that are flooded with different representations, making written poetry come to life. This then developed into a series called “Positive Message Portraits”, a way to show someone in your life how much they mean to you. Each portrait is always unique with different symbols and color theory that reveal powerful meanings and attributes of the specific person.
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Spring Flight
Artist: Leah Kolidas
Leah0776@mac.com
Newton, MA
leahkolidas.com
instagram.com/leah_kolidas


Spring Flight, 12”x12”, mixed media on canvas


Artist Statement:
This piece has to do with the overflow of a busy mind. It is about seeing inspiration and ideas fly from my head to the outside world, where sometimes it feels like there’s an overlap between the real and imagined.
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Spring
Artist: Orysya Rudnyk
orysunia@gmail.com
Salem, MA
Instagram @orysiarudnykart


Spring, 18”x24”, watercolors and gold leaf on paper


Artist Statement:
Orysya Rudnyk is a BFA graduate from University of Calgary. She immigrated from Ukraine at the age of fifteen and considers herself bi-cultural. Her art is greatly in influenced by her experiences of growing up in Ukraine and immigration. Rudnyk’s work focuses on the aesthetic value of art and encouragement of observer-driven narrative. She primarily works in watercolors.
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TRUTH
Artist: Melissa Partridge
melissa.partridge2@gmail.com
Newburyport, MA
melissapartridgeart.com


TRUTH, 24”x30”, Mixed Media & Acrylic


Artist Statement:
Melissa is an Accomplished Colorful Intuitive Artist spreading the Joy of Creative Play with the World. She is inspired by her Love of Color, Texture & Travel and works out of her Studio at the Artists Muse in Amesbury, MA.


Truth was created during the 2020 Covid Pandemic with Lots of Layers, Paint & Texture. This piece was a Top #15 Winner of the 2021 George’s Duboeuf Wine Label Contest. A Collaboration with Birkenstock and Michael Grey Sandal Factory was also done with this Artwork.
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The Philosophers’ Stone
Artist: Timothy Neill
Email: timneill@timneill.com
Hamilton Massachusetts
timneill.com
facebook.com/timothyneillart
The Philosophers’ Stone, 30x24, oil and gold on panel


Artist Statement:
The philosophers’ Stone is the pure extract of creation with the power to transmute. Like art, it is a transformation of
matter, the universal elixir of enlightenment.
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Where Faeries Play
Artist: Jean Choe
jeanchoe@hotmail.com
Norwood, MA


“Where Faeries Play”, 12 x 24, Mixed Media (acrylic paint, paper) on canvas


Artist Statement:
Artist Statement:
I work full-time in educational technology making online courses. My spare time is spent creating pieces such as mixed media collage. I have a fascination with color and texture so with the use of paint and paper, I try to capture the beauty I see in nature.
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Wonder
Artist: Timothy Neill
Email: timneill@timneill.com
Hamilton Massachusetts
timneill.com
facebook.com/timothyneillart
Wonder, 30”x24”, oil on panel


Artist Statement:
Admiration of inexplicable beauty. Unexpected calm in an etherial space, too innocent and delicate for this world but equally charged with a fierce intensity of power. A simple explanation of the inexplicable. A simple image of the invisible. Wonder.
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Burning Beauty
Artist: Alyssa Cantwell
alyssacantwell7@gmail.com
Westford, MA
alyssacantwell.com


Burning Beauty, 12” x 18”, oil on wood panel


Artist Statement:
I grew up on a quiet cul-de-sac in Westford, Massachusetts with plenty of space to run around outside. On windy days in the fall, I would grab a paper bag from my kitchen and venture out to my backyard. Gazing up at the endlessly tall trees at the edge of the yard, I would wait for the wind to pick up and send the brightly colored leaves cascading down around me. I would run back and forth to collect as many as I could from the air, placing them carefully into the bag. There was one rule in my game: never pluck a living leaf from a tree. I’ve always felt a strong connection with and respect for nature. I came to understand that not everyone treats the environment with respect as I watched big capitalist corporations dump harmful products into the air and water with no regard for the living things a
affected.


When I discovered oil painting, it gave me the same feeling of excitement that I felt on those cold autumn days, dashing from tree to tree collecting leaves. Around the same time, I was introduced to the work of Andy Goldsworthy. He creates art purely from natural materials, using the environment to his advantage without exploiting it. This approach of manipulating an environment to t the needs of the artwork, without harming that environment, speaks to the way in which I want to create my own art and the themes that come up in my work. My process is all about layers, detail, and time. I want to capture every detail of the beauty in the world around me, layered with the ever-worsening consequences of sea level rise, pollution, ocean acidification cation, global temperature rise, and deforestation.


In Our World, 2050 my vision is to capture how our world might look in the year 2050 if we as a society continue to deny and exacerbate climate change. I want to portray the tension between the natural beauty of our world and the environmental devastation it endures. In a materialistic world, we tend to live by the philosophy that everything can be replaced. My intent for this work is that it starts a conversation that challenges that mindset while raising awareness about the environmental changes ahead. Our world is a beautiful place full of wonder and inspiration, but unless we become more conscious of our impact on it, the truth is we stand to lose much more than we realize.
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Edisto Fog
patriciad610@aol.com
Salem, MA


Edisto Fog, 14 3/4” x 10 3/4”, watercolor


Artist Statement:
City/country, summer/winter, colorful/little color, all interest me. It’s the design, the light, and balance that help me choose what to paint. I paint outside on site, usually smaller pieces; I also paint inside using my own
photographs as subject matter. I love to travel and record images of travel in my paintings. These paintings are
a way of sharing some of my favorite locations with others.
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FALS Frenzy
Artist: Paula Borsetti
pborsetti1@gmail.com
Beverly, MA
paulaborsetti.com, instagram.com/locuststreetstudios, facebook.com/10locuststreetstudios


FALS Frenzy, 24x36, Acrylic on Canvas


Artist Statement:
For as long as I can remember I have been creating, my hands busy at work. To create is like breathing. In and out, a part of you that you can harness to ground, to elevate, to soothe, to heal. And like breathing, to not do it is not an option. You take it with you no matter where you go. To work, to play, to sleep, to every aspect of your life. Shape it and form it to suit your needs, to challenge, to learn. Share it with others, or keep it close, quiet, shallow, or loud and deep.


I go to the sunrise, to the same beach, in the town I have always lived in. Tides come in, then out, leaving behind a different trace. The same place, yet never the same. That is my act of painting. I come to the studio, put out paint, begin the process, start the ebb and flow. At the end of the day, the tide has receded and nothing is the same. Each mark, color and stroke is a new discovery.


Working with acrylic paint allows me to layer traces of what is becoming. Charcoal, graphite, crayon, stencils all lend themselves to the story. A mark, a response, a color, a response, a movement, a response, a sound, a response, a feeling, a response, a pain, a response, a smell, a response. Wild crazy marks, frenetic energy slashes followed by a slow mark tracing a path. I am the tortoise and the hare dancing together all at once.


I paint because it brings me joy and like breathing sustains my life. I paint to understand myself and the world around me. I paint to bring me closer to who I am and who I am meant to be.


FALS Frenzy is part of a series about my dear friend’s battle with ALS. I start with words he can no longer speak, then let the painting come to life through the process. A process of connection and healing, creating works that resonate with strength, hope, perseverance, awareness, support and life.
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Gloucester Cup Pride of Baltimore
Artist: dimetrious athas
dathas22@gmail.com
Beverly, MA
dathas-art.net


Gloucester Cup Pride of Baltimore


Artist Statement:
I have been fascinated with sailing, boats as well as antique cars for over 50 years. So I started painting them around 50 years ago and have won many awards nationally and locally. Have been represented and sold by several galleries on a national basis and
have sold many paintings. My intent is to bring the feel of the wind of the sails and the motion of the water for my marine paintings. My antique auto paintings show my love of that era. I am currently working on cosmic paintings as well.
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Hamilton House
Artist: Patricia Dunbar
patriciad610@aol.com
Salem, MA
Hamilton House, 14” x10” watercolor


Artist Statement:


As a life long designer, interested in typography, drawing, photography, and painting, I have been working in these areas for as long as I can remember. I have been employed for most of my life as a graphic designer (which encompasses all these interests), mostly for book publishers and have won awards for my work. On my own I have been painting, drawing, and doing extensive photography. I have paintings, prints, and photographs in private collections in California, Georgia, Iowa, Massachusetts, Texas, England, and New York.


City/country, summer/winter, colorful/little color, all interest me. It’s the design, the light, and balance that help me choose what to paint. I paint outside on site, usually smaller pieces; I also paint inside using my own photographs as subject matter. I love to travel and record images of travel in my paintings. These paintings are a way of sharing some of my favorite locations with others. Hamilton House is in Maine. I love the way the house is viewed through the Queen Ann’s Lace flowers and the wild field in front.
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Hold Onto My Hand
Artist: Patricia Scialo
patricia@patriciascialo.com
Salem, MA
patriciascialo.com


Hold Onto My Hand, 28”X20”, Cyanotype, Encaustic


Artist Statement:
The observation of light is the starting point of my photographic works. I am inspired by the way in which light cast on an object
creates shadows and depth, how it highlights, softens, or sometimes diffuses, creating an emotional response.


Taking on a mixed-media approach, I produce handmade unique prints that register experiments with the with the interaction of
material and subject, approaching an interweaving of the two.
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Idyllic
Artist: Glenn Engman
theontarget@earthlink.net
Swampscott, MA


Idyllic, Size: 30”x20”, Medium: Photography


Artist Statement:
I’m glad I have a hobby that pays because I was never able to hold a job for long. My passion for photography began when I first discovered a box of film processing equipment in the attic of our house at the age of 12. I took my father’s camera, hopped in my kayak and took pictures at the lake I paddled around on. Struggling to load my first roll of film onto the processing reel and follow the precise time and temperature protocol, I developed the roll of film in the laundry sink in our basement. Success!


From that time on I have pursued my photography interests; graduating from RIT with a bachelor of science degree in professional photography, starting a custom color photo lab in Boston with clients such as John Hancock Insurance, Sheraton World Headquarters, Museum of Science, Gillette, Rebok, WR Grace, etc. When digital imaging came around I jumped at the chance to become one of the first people to attend the Kodak Center for Creative Imaging in Camden, Maine. The course was a week long intensive use of Adobe Photoshop (2.0) and other imaging applications. It didn’t take long to realize that digital imaging was the future for photography.


Today I work exclusively in digital imaging, perfecting each perceived image in color, contrast, composition, etc. Oftentimes, the final result is almost unrecognizable from the original image. How far we have come from those days in the darkroom!
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In The Ground And The Air
Artist: Mike Fahey
Wakefield, MA
In The Ground And The Air, 25 X 24, Mixed Media on wood


Artist Statement:
My paintings have evolved over the years into wood relief constructions, melding together painting and sculpture. Mixing drawing, carved and layered wood, and other materials and objects as needed, I build up layers like a puzzle as I ponder over their meaning and how to interpret and integrate that meaning into the work.


My work explores dualities and how they relate to each other - flatness/depth, balance/disharmony, static/movement, representation/abstraction, joy/pain, isolation/integration. One needs the other to exist and these opposites combine to form a greater whole.


The current series I’m working on, called Visual Music, explores the relationship between music and visual art. Both utilize compositional elements such as rhythm, patterns, tempo, and harmony to build its structure, dynamics, dissonance, and “color” to set its mood, and “melody” to establish its main theme.


The guitar motif is my starting point. While working up drawings, I also peruse through favorite songs looking for a connection, bouncing back and forth between drawings and songs. A songs title or lyric, or a drawings mood or rhythm may spark an idea of what this piece should be about. Once I have a starting point, I will expand on this idea. The work will continue to grow, evolve, possibly change course throughout the process of creation. It seems like a foregone conclusion when the piece is done, but always amazes me when looking back on the twists and turns I took to get here. For me, the journey is “the thing”, and everything learned on the journey helps to build on and evolve the next work forward.
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Komono
Artist: Patricia Scialo
patricia@patriciascialo.com
Salem, MA
patriciascialo.com


Komono, 11X14”, Encaustic Mixed Media Photography.


Artist Statement:
My photographic works are created from an intuitive starting point transforming the subject through light Through the lens, I view the subject as an abstract form emphasizing line and shadow. In the printmaking process I continue to manipulate the image with various applications such as encaustic, graphite and photo oil, creating a mixed-media artwork.


When composing a photograph, I strive to create depth, giving the viewer the opportunity to look within, pause and contemplate the subtleties of what lies beneath.


Patricia Scialo has exhibited at numerous art centers on the east coast and internationally. Currently living on the North Shore, she teaches photography at various art centers. Her studio is located in the Lydia Pinkham building, Lynn.
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Many Moons Ago
Artist: Deb Goldberg
deb.goldberg@comcast.net
Amesbury, MA


“Many Moons Ago”, 17x17, Encaustic/ Mixed Media


Artist Statement:
This piece explores the symbolism of the moon with its connection to the changing tides, phases of life and
passage of time. As an artist I work in mixed media combining dyed fabric that I often create with encaustic,
a wax medium and pigment sticks. Working in layers with color, texture and patterns from nature are my
inspiration.
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Many Moons Ago
Artist: Deb Goldberg
deb.goldberg@comcast.net
Amesbury, MA
“ManyMoons Ago”, 17x17, Encaustic/ Mixed Media


Artist Statement:
This piece explores the symbolism of the moon with its connection to the changing tides, phases of life and
passage of time. As an artist I work in mixed media combining dyed fabric that I often create with encaustic,
a wax medium and pigment sticks. Working in layers with color, texture and patterns from nature are my
inspiration.
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Moon Magic
Artist: Monica Brenton
Little Harbor Studio, Marblehead, MA
Moon Magic, 16 x 20, Oil on canvas


Artist Statement:
Monica raised her family in Marblehead , blessed to be surrounded by natural beauty. A New York transplant since 1981, Monica switched from watercolors to oils three years ago. Through workshops and the past two years, a silver lining was having more time to paint . She is thrilled to have found space at Little Harbor Studios, and treasures the interaction and feedback by the studios artist members.
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Old Souls
Artist: Jennifer Toler
Beverly, MA
Old Souls, 24 x 36, Mixed Media-Collage


Artist Statement:
I work in Mixed Media with a focus on shifting the layers of my piece. After each layer is dry, I sand parts of it away, paint, collage or transfer another layer.
“Old Souls”, is memorial of our lost love ones and celebrates the part of them we miss the most.
The color pallet is, interestingly (and surprisingly), in stark contrast to my work of even a year ago.
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Peaceful Skies
Artist: Colin McGuire
colin@colinmcguirefineart.com
Marblehead, MA
colinmcguirefineart.com


TPeaceful Skies, 9x12, Oil on Panel


Artist Statement:
Colin McGuire is an oil painter working out of Marblehead, MA. His work is the reflection of years spent in coastal New England, taking inspiration from the constantly shifting tides and moods of light and atmosphere.


Trained as an impressionist painter, McGuire works with a palette knife to quickly capture the fleeting light while working ‘en plein air’, while building texture and making broad gestures of pure, saturated color. His work can be seen at McGuire Gallery in Provincetown, MA.
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Serenity Artwork
Artist: Emily Murphy
Danvers, MA
Serenity, 18 x 24, Mixed Media


Artist Statement:
My name is Emily Murphy, I am an artist, illustrator and graphic designer that graduated from Marist College in NY. While I currently live on the North Shore of MA, I work with creating custom portraits using a variety of symbolism. These specific pieces are inspired by poetry, creating portraits and layouts that are flooded with different representations, making written poetry come to life. This then developed into a series called “Positive Message Portraits”, a way to show someone in your life how much they mean to you. Each portrait is always unique with different symbols and color theory that reveal powerful meanings and attributes of the specific person.
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Spring Flight
Artist: Leah Kolidas
Leah0776@mac.com
Newton, MA
leahkolidas.com
instagram.com/leah_kolidas


Spring Flight, 12”x12”, mixed media on canvas


Artist Statement:
This piece has to do with the overflow of a busy mind. It is about seeing inspiration and ideas fly from my head to the outside world, where sometimes it feels like there’s an overlap between the real and imagined.
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Spring
Artist: Orysya Rudnyk
orysunia@gmail.com
Salem, MA
Instagram @orysiarudnykart


Spring, 18”x24”, watercolors and gold leaf on paper


Artist Statement:
Orysya Rudnyk is a BFA graduate from University of Calgary. She immigrated from Ukraine at the age of fifteen and considers herself bi-cultural. Her art is greatly in influenced by her experiences of growing up in Ukraine and immigration. Rudnyk’s work focuses on the aesthetic value of art and encouragement of observer-driven narrative. She primarily works in watercolors.
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TRUTH
Artist: Melissa Partridge
melissa.partridge2@gmail.com
Newburyport, MA
melissapartridgeart.com


TRUTH, 24”x30”, Mixed Media & Acrylic


Artist Statement:
Melissa is an Accomplished Colorful Intuitive Artist spreading the Joy of Creative Play with the World. She is inspired by her Love of Color, Texture & Travel and works out of her Studio at the Artists Muse in Amesbury, MA.


Truth was created during the 2020 Covid Pandemic with Lots of Layers, Paint & Texture. This piece was a Top #15 Winner of the 2021 George’s Duboeuf Wine Label Contest. A Collaboration with Birkenstock and Michael Grey Sandal Factory was also done with this Artwork.
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The Philosophers’ Stone
timneill@timneill.com
Hamilton Massachusetts
timneill.com
facebook.com/timothyneillart


The Philosophers’ Stone, 30x24, oil and gold on panel


Artist Statement:
The philosophers’ Stone is the pure extract of creation with the power to transmute. Like art, it is a transformation of
matter, the universal elixir of enlightenment.
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Where Faeries Play
Artist: Jean Choe
jeanchoe@hotmail.com
Norwood, MA


Where Faeries Play”, 12 x 24, Mixed Media (acrylic paint, paper) on canvas


Artist Statement:
I work full-time in educational technology making online courses. My spare time is spent creating pieces such as mixed media collage. I have a fascination with color and texture so with the use of paint and paper, I try to capture the beauty I see in nature.
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Wonder
Artist: Timothy Neill
Email: timneill@timneill.com
Hamilton Massachusetts
timneill.com
facebook.com/timothyneillart
Wonder, 30”x24”, oil on panel


Artist Statement:
Admiration of inexplicable beauty. Unexpected calm in an etherial space, too innocent and delicate for this world but equally charged with a fierce intensity of power. A simple explanation of the inexplicable. A simple image of the invisible. Wonder.
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Admiring From Afar
Artist: Erin Melin
info@erinmelin.design
Peabody, Massachusetts
erinmelin.design


“Admiring From Afar”, 17 in x 20 in, Printmaking - Screen Print


Artist Statement:
Hi! I’m Erin Melin, a local graphic designer and artist who recently graduated from Salem State University.


While taking a screen printing course at Salem State, I discovered my love for the medium. Similar to graphic design, screen printing allows me to explore an application of graphic elements and concepts. However, rather than exploring these ideas digitally, I’m able to express myself through a more artistic tactile process. I’ve loved having the freedom to create things solely for myself and my interests outside of my profession.


“Admiring From Afar” is based on a photo I took in 2017 at Castle Rock in Marblehead. I was taking a photo of the full moon reflecting off of the waves when I noticed two small figures fishing in the distance. I found this composition intriguing – not only due to the natural beauty of the landscape itself, but because of the human connection I captured as well. When drawing and printing this image, I wanted to further capture the peacefulness of this moment through the use of purple hues and simple silhouettes. I often find myself wondering if the silhouettes in the print found that moment as memorable as I did.
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Admiring From Afar
Artist: Erin Melin
info@erinmelin.design
Peabody, Massachusetts
erinmelin.design


“Admiring From Afar”, 17 in x 20 in, Printmaking - Screen Print


Artist Statement:
Hi! I’m Erin Melin, a local graphic designer and artist who recently graduated from Salem State University.


While taking a screen printing course at Salem State, I discovered my love for the medium. Similar to graphic design, screen printing allows me to explore an application of graphic elements and concepts. However, rather than exploring these ideas digitally, I’m able to express myself through a more artistic tactile process. I’ve loved having the freedom to create things solely for myself and my interests outside of my profession.


“Admiring From Afar” is based on a photo I took in 2017 at Castle Rock in Marblehead. I was taking a photo of the full moon reflecting off of the waves when I noticed two small figures fishing in the distance. I found this composition intriguing – not only due to the natural beauty of the landscape itself, but because of the human connection I captured as well. When drawing and printing this image, I wanted to further capture the peacefulness of this moment through the use of purple hues and simple silhouettes. I often find myself wondering if the silhouettes in the print found that moment as memorable as I did.
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Admiring From Afar
Artist: Erin Melin
info@erinmelin.design
Peabody, Massachusetts
erinmelin.design


“Admiring From Afar”, 17 in x 20 in, Printmaking - Screen Print


Artist Statement:
Hi! I’m Erin Melin, a local graphic designer and artist who recently graduated from Salem State University.


While taking a screen printing course at Salem State, I discovered my love for the medium. Similar to graphic design, screen printing allows me to explore an application of graphic elements and concepts. However, rather than exploring these ideas digitally, I’m able to express myself through a more artistic tactile process. I’ve loved having the freedom to create things solely for myself and my interests outside of my profession.


“Admiring From Afar” is based on a photo I took in 2017 at Castle Rock in Marblehead. I was taking a photo of the full moon reflecting off of the waves when I noticed two small figures fishing in the distance. I found this composition intriguing – not only due to the natural beauty of the landscape itself, but because of the human connection I captured as well. When drawing and printing this image, I wanted to further capture the peacefulness of this moment through the use of purple hues and simple silhouettes. I often find myself wondering if the silhouettes in the print found that moment as memorable as I did.
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Deliverance
Artist: Sarah Morrison
sarah@sarahmorrisonillustration.com
Malden, MA
sarahmorrisonillustration.com
instagram.com/sarahmorrisonart


“Deliverance”, 14x18, oil paints and metallic leaf on canvas


Artist Statement:
Sarah Morrison (she/her) is a fantasy illustrator and portrait artist. Working primarily with oil paint she focuses on figurative works designed to inspire narrative, with attention towards faces and fabric. Escapism through fantasy has always been a central theme to her art, and she embraces whimsy and enigmatic details. Sarah’s imagery is designed to inspire a sense of wonder, encouraging viewers to develop stories about what might be going on in each piece.
“Deliverance” was painted to accompany an essay written by Story Boyle, titled “The Key”. The essay speaks of self-saving female protagonists in fables, and the balance they often need to find between the costs of knowledge, innocence, justice, and power. The painting portrays a mother-goddess figure, echoing aspects of Persephone and Eve, while proffering an array of symbolic objects.
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Deliverance
Artist: Sarah Morrison
sarah@sarahmorrisonillustration.com
Malden, MA
sarahmorrisonillustration.com
instagram.com/sarahmorrisonart


“Deliverance”, 14x18, oil paints and metallic leaf on canvas


Artist Statement:
Sarah Morrison (she/her) is a fantasy illustrator and portrait artist. Working primarily with oil paint she focuses on figurative works designed to inspire narrative, with attention towards faces and fabric. Escapism through fantasy has always been a central theme to her art, and she embraces whimsy and enigmatic details. Sarah’s imagery is designed to inspire a sense of wonder, encouraging viewers to develop stories about what might be going on in each piece.


“Deliverance” was painted to accompany an essay written by Story Boyle, titled “The Key”. The essay speaks of self-saving female protagonists in fables, and the balance they often need to find between the costs of knowledge, innocence, justice, and power. The painting portrays a mother-goddess figure, echoing aspects of Persephone and Eve, while proffering an array of symbolic objects.
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Admiring From Afar”,
Artist: Erin Melin
info@erinmelin.design
Peabody, Massachusetts
erinmelin.design


“Admiring From Afar”, 17 in x 20 in, Printmaking - Screen Print
Artist Statement:


Artist Statement:
Hi! I’m Erin Melin, a local graphic designer and artist who recently graduated from Salem State University.


While taking a screen printing course at Salem State, I discovered my love for the medium. Similar to graphic design, screen printing allows me to explore an application of graphic elements and concepts. However, rather than exploring these ideas digitally, I’m able to express myself through a more artistic tactile process. I’ve loved having the freedom to create things solely for myself and my interests outside of my profession.


“Admiring From Afar” is based on a photo I took in 2017 at Castle Rock in Marblehead. I was taking a photo of the full moon reflecting off of the waves when I noticed two small figures fishing in the distance. I found this composition intriguing – not only due to the natural beauty of the landscape itself, but because of the human connection I captured as well. When drawing and printing this image, I wanted to further capture the peacefulness of this moment through the use of purple hues and simple silhouettes. I often find myself wondering if the silhouettes in the print found that moment as memorable as I did.
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